Dhurandhar 2 Legal Trouble Escalates Over Song Dispute
The Dhurandhar 2 legal trouble has taken a significant turn, moving beyond industry speculation into formal legal proceedings, even as the film continues to perform strongly at the box office. Trimurti Films has initiated a lawsuit against filmmaker Aditya Dhar’s production house, B62 Studios, alleging the unauthorised use of music connected to a well-known track from the 1989 film Tridev. The case has quickly drawn attention not only because of the scale of the film involved but also due to the broader questions it raises around music rights and creative reuse in contemporary cinema.
Dhurandhar 2 legal trouble reaches Delhi High Court
The matter is now before the Delhi High Court, which has chosen to refer the dispute to mediation, suggesting a possible resolution through negotiation rather than prolonged courtroom litigation. In its initial observations, the court indicated that the disagreement appears to centre largely on financial aspects, particularly around royalties and compensation, rather than purely legal interpretation.
Justice Tushar Rao Gedela directed that a senior mediator be appointed, encouraging both parties to explore a middle ground that could address their respective claims without escalating the dispute further. This approach reflects a pragmatic stance often taken in intellectual property matters, where settlements can sometimes offer quicker and more workable outcomes than extended legal battles.
Core dispute over ‘Rang De Lal’ and Tirchi Topiwale
At the heart of the Dhurandhar 2 legal trouble lies the film’s track Rang De Lal (Oye Oye), which Trimurti Films claims borrows heavily from Tirchi Topiwale, a popular song originally composed by Kalyanji–Anandji for Tridev. The production house has argued that the newer track either directly uses or closely replicates elements of the original composition without securing the necessary permissions.
According to the claims presented, Trimurti Films asserts ownership and control over both the musical composition and the sound recording of the original work. On that basis, it has alleged copyright infringement, including unauthorised reproduction and public communication of the track. The concern extends beyond the film itself, encompassing the song’s circulation across promotional campaigns, theatrical screenings, and digital platforms, all of which contribute to its commercial reach.
Defence arguments and counterclaims
The defence has pushed back against these allegations, arguing that immediate restrictions on the film or its music are not warranted, particularly given that Dhurandhar 2 has already been released and is currently in circulation. Legal representatives for the producers also questioned the basis of the claims, suggesting that there have been earlier instances where similar musical elements from legacy tracks were reused without dispute.
Another point raised during the hearing relates to the film’s distribution timeline. It was indicated that the movie is unlikely to arrive on streaming platforms until mid-May, a detail that may influence how urgently certain aspects of the case are addressed. These arguments underline the complexity of balancing ongoing commercial activity with legal scrutiny, especially in high-profile releases.
Film’s strong box office run continues
Interestingly, the Dhurandhar 2 legal trouble has not slowed the film’s commercial momentum. Directed by Aditya Dhar, the spy action thriller stars Ranveer Singh and serves as a sequel to Dhurandhar (2025), expanding on the origin story of its central character. The narrative traces his transformation and rise within a larger world shaped by conflict and covert operations, supported by a cast that includes Arjun Rampal, R Madhavan, Sanjay Dutt, and Sara Arjun.
Despite the controversy, the film has reportedly crossed the Rs 1,000 crore mark at the Indian box office, reinforcing its status as a major commercial success. This dual trajectory, where legal challenges unfold alongside strong audience reception, highlights the scale and visibility of the project.
Broader implications for the industry
Beyond the immediate dispute, the Dhurandhar 2 legal trouble brings into focus a recurring issue within the film industry: the reuse and reinterpretation of classic music. As filmmakers increasingly draw on older compositions to create contemporary soundtracks, questions around licensing, credit, and originality are becoming more prominent.
The outcome of this case could shape how future projects handle such material, potentially prompting stricter compliance with licensing norms or clearer frameworks for adaptation. For now, with mediation underway and no immediate disruption to the film’s theatrical run, the situation remains fluid, with both legal and industry observers watching closely to see how the dispute is resolved.
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